The Residency went by so quickly!  It is hard to believe that I am starting my second semester!  The work was reminescent of meditative space....some realism,  abstraction and prints which were actually done as walking meditation excercises.
Meetings with my new advisor Tony Apesos and my mentor Heddi Siebel (a multi media artist) went well!  Tony suggested several books and essays. He also asked me if I work quickly ...why not make "several" drawings or paintings....etc.  This also came up when I met with Heddi.  I brought almost everything I had at the Residency and we had a critique....discussed mark making, the walking meditation process and landscapes.  Heddi also suggested that I work on many pieces....working through the process of walking meditation.  She also suggested that I work on color and value studies.  I am very excited about the upcoming semester and wworking with Heddi~her work is amazing!
The above piece shows a bit of the angst in getting started.....when faced with a blank sheet of paper!

New books for the coming semester

I just received new books for the semester~

The Artist Grows Old - Philip Sohm
The Coming of Age - Simone de Beauvoir
Sky Above Earth Below -John P. Milton
Trust The Process An Artist's Guide to Letting Go - Shaun McNiff

Walking Meditation Prints

Relief Plate

This is a series of prints I started this week~I have been working with the solar plate process. It can be used both italgio and relief. Both the relief and intalgio plates were created as I was walking through the park with my prepared plates and sharpened a branch from a tree. I took a few moments to meditate before I began drawing on the plates. Then: Taking time to draw what inspired me as I was walking, not looking at my plate just looking at the surroundings and drawing quietly. I did this for several plates. This was about the feeling one gets in being with nature~not drawing a representational tree but letting the drawing evolve and capture the energy of nature, quiet and the mark. Whether it was a lamp post, tree or a park bench....the lines just emerged. I took the plate back to the studio where I worked on varying the width of mark, in order to convey a sense of air and emotion. This was challenging for me because I was working small....but I chose to work small in order to work through the process and see what effects I could achieve.

Relief Print  8" x 6"

Intalgio 6" x 4"

Intalgio 6" x 4"

June Update

Most of this semester has been spent working in a somewhat realistic manner, though I would consider it abstracted realism. My goal is to respond to my surroundings in an expressive and conceptual manner. I have referred to my landscapes for the following paintings.

38" x 28 " Acrylic on Panel

38" x 28"   Acrylic on Panel

29" x 22"  Acrylic on Panel

New Work

Winter Drawing
Charcoal on Paper

Winter 2014
40" x 30"
Acrylic on Panel

Echo Lake in Winter
40" x 30"
Acrylic on Panel

April Update

The last few weeks have been challenging, though I have completed the large acrylic on panel. There were many starts, scraps and stains! While sitting at home I spent sometime drawing...some successful~some not so much! The plan is to paint two more large landscape inspired paintings with the cool palette. I have finally been able to work in my studio for a few hours.....looking forward to completing the series inspired by the White Mountains of New Hampshire!

Graphite on Paper

Pastel and Graphite on Paper

Acrylic on Panel 40" x 30"